Comix Claptrap interview

I did an interview last week with Rina Ayuyang and Thien Pham of Comix Claptrap, which they just put online in time for Christmas. Subjects covered include which of the Holy Consumption members gets made fun of the most, which professional cartoonist is the greatest skateboarder (let's just say I throw down the gauntlet), and whether a collection of small colored squares may in fact be considered comics. And a bunch of other crap. Pour some bourbon in your eggnog, gather around the fire and listen in. By the way, the interview starts around 22:45...

more post-its

Go West Young Man

I have work in two shows that open this weekend, both in L.A. On Saturday Post-It Six opens at GR2. Here are a few of my eleven contributions.




The second is the Littlebird/WHEREmmm show Look Around You written up below. Below is an image of the print I contributed. Later today I'll be putting the same print up for sale at the webstore, as well.

New Chicago Comics at the MCA

In January I'll have about twenty originals spanning the entirety of Big Questions on display at the Museum of Contemporary Art in Chicago as part of the show New Chicago Comics. Also in the show are Paul Hornschemeier, Lilli Carre and Jeffrey Brown. The show opens January 7th, as part of the museums First Fridays programming, with a reception from 6-9.

Look Around You

I have a print in a show opening in L.A. on Friday (see right). The magnificent Mylissa Fitzsimmons of Littlebird Gallery put together a print show at WHERE mmm (1519 Griffith Park Blvd) in Silverlake.

Tomorrow

Go to this:

to get one of these:

And listen to me chat with the inquiring Bill Kartalopoulos.
Or, even better, come watch a cage match between editors extraordinaire Sammy Harkham and Francoise Mouly, or between cartoonists fantastiques Lynda Barry and Charles Burns. Who will beat who in this clash of titans!? Come to Brooklyn Saturday to find out.

Prints and Drawings Store

When I was a kid I had a bad habit of not turning in my homework. Sometimes that was because I didn't do it in the first place, but just as often it was because once it was done the box in my brain got checked and I'd forget it at home or lose it. Over the last several years I have on occasion done prints of my work for shows or because someone was interested in an image but couldn't afford to buy an actual painting. I moved last Spring and found that my cabinet of flat files needed lightening. So I am now turning in my homework. Just in time for Christmas. Help me lighten my flat files.