Showing posts with label Albrecht Durer. Show all posts
Showing posts with label Albrecht Durer. Show all posts

Tuesday, May 5, 2015

On Drawing

linesandmarks.com just put up some images as a teaser for an interview we're doing later this Summer, including a few newish things of mine, and a little preview of Poetry is Useless. If you haven't been over there, it's a beautiful new site about drawing. Their opening salvo also includes Albrecht Dürer, Julie Mehretu, Charles Burns and Marcel Dzama. Pretty fine company, and a really nice expansive way of looking at this art form which is so close to my heart. Sometimes I make comics, sometimes I do illustration, sometimes I make diagrams and sometimes I make 'paintings'... but everything I do is drawing. Drawing is everything.

If you click through to the interview preview page you get to move a little magnifying glass around on Adam and Eve Sneaking Back into the Garden to Steal More Apples. Most of my work is probably ripping off Burns a little bit, but here's a painting I did several years back inspired directly by Dürer's various takes on St Jerome and the Lion (which also might be the first time I depicted Adam and Eve – that's them by the tree).

Sunday, February 28, 2010

Rothenburg's Kriminalmuseum and Munich's Altes Pinakothek

In a small town called Rothenburg we visited a Museum of Crime and Punishment. There were, of course, a number of torture devices that were pretty harrowing (lots of good ideas here for Dick Cheney), but most interesting was the collection of iron masks made to be worn by criminal offenders while chained to a pillory in a public square. The masks were surely heavy and painful to wear, but the main idea was to humiliate the person, to make them a caricature of their crime.
They were making sculptures of Christopher Forgues' drawings in Germany centuries before he was born:
There were a few executioner's masks.


In the commentary it was written that the purpose of the mask was less to conceal the identity of the ax man, and more to protect him from the "evil eye" and from being cursed by his victim. This was apparently enough of a concern that it was common practice for the executioner to ask his victim's forgiveness before cutting his head off.
Also on display were a lot of old law books and large collections of old coins with interesting and occasionally surreal imagery (note the one below featuring the disembodied, blessing hand of god rising out of the waves, presided over above by the thunderbolt-wielding eagle of the state).






Here are a few images from the Alte Pinakothek (old art museum) in Munich. Beautiful, meticulous, attentive and quietly bizarre depictions of saints and their symbols in their little jewel-like Northern European landscapes. I just can't get enough of this stuff.




Lastly, here are two figures from an Altarpiece by Albrecht Durer. These are pretty famous, I guess, but rightly so. To my eye Durer is wildly inconsistent. He made piles of amazing, evocative, almost insanely detailed and highly rendered drawings and paintings...and he also made a ton of super awkward and clunky work. But these are great. If you're in Munich, they are worth the trip to the museum.

Friday, January 9, 2009

Five Days Left

Last week most of the images in the show at Littlebird, Landscapes and Smoke, were posted on the gallery site. Here is the one lone image that was not. It's called Adam and Eve and the Lion of St. Jerome, and is partly inspired by all the St. Jerome images of Albrecht Durer.

The show comes down next Thursday.