Friday, May 31, 2013
Saturday, May 25, 2013
Apropos of the release of The End this week, below are a few outtakes and curiosities from the book, beginning with the layout 'map' of post-its that I used in the last few weeks to keep the overall sequence of pieces straight in my mind while moving them around. It can be a bear keeping everything flowing just right – balancing the rhythm and content of the individual pieces with chronology while also keeping two-page spreads on even/odd pages... there is also one 16 page color section (signature) that had to begin on a page number that was divisible by 16 (the pages in red outline mark the beginning of each 16 page signature). Keeping all this straight can be a little crazy-making.
One of the main anchors of the book is the piece solve for x. An early draft of the piece was done originally for a show at Junc in L.A. in 2006, curated by Mark Todd and Esther Pearl Watson. They sent participants a small accordion book to draw in for the show. I used mine to adapt and rework some of the messy venting I was doing in my sketchbooks at the time.
The last few images are included to give a sense of how this material existed in my sketchbooks, where it began, and a few of the half-finished fragments that didn't make it in the book for whatever reason (there are many many dozens more pages in that category). Even most of what did make it in was not originally intended for publication, so there are no 'originals' in the usual sense.
Below on the right is a drawing of me and Mike McGinley working brunch at Lula. Which has nothing to do with anything.
Tuesday, May 21, 2013
Pedestrian Errors was printed offset in a small edition of maybe three or four hundred, around 2000 or 2001. There's actually a video that accompanies it, which I may try to track down as well.
Monday, May 20, 2013
The revised and expanded edition of The End is now out for real. Today a little interview I did about the book with It's Nice That went up, with some excerpts. I'll probably do a few posts of outtakes and process things – the book's own biography that I mention. But first I'm going to take the moment as an opportunity to remember Cheryl. She made tons of little hand-made books of all sorts: sketchbooks, her own work and in this case a sort of reconfiguring of a selection from John Cage's Empty Words. She made several versions of this (I actually made a small screen printed edition the year after she died). More of her work is here.